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Ambient 1/Music for Aerodrome (1978) is one of Brian Eno's first ambient albums. Music for Airdrome employs phasing tape loops of different length withwithin occasionally tracks, in which, for instance, in "1/1", one soft melody is repeated & at different days more instruments might segue around & retired, & this happens pseudorandomly due to the phenomenon of phasing: at a select few point these subservient sounds might clump together, at a bit of points, become spread apart.
A music on this album was designed to exist as day and night looped as a healthy installation, by owning a intent to defuse a tense, anxious atmosphere of an air terminal. It was installed at a Marine Air Terminal of New York’s LaGuardia Airport.
A 1st 3 tracks on the album come thin compositions by using moments of silence between notes. A previous track (“2/2�) occurs as smooth, billowing, electronic texture.
Track listing
A track labelling is thus because of the album's number 1 release (1978) as an LP, then a foremost track means "first track, first side", then in.
"1/1" : Acoustical piano, electrical piano & synthesizer - 16:39
"2/1" : Vocals sole. - 8:25
"1/2" : Vocals & acoustical piano. - 11:36
"2/2" : Synthesizer exclusively. - 9:38
Tons tracks were composed by Eno except "1/1", which was composed by Eno, Robert Wyatt, and Rhett Davies.
A back cover features four abstract graphic notation images, one for every track.
A Bang on a Can All-Stars, an offshoot of the Bang on a Can music festival, arranged Music for Airdrome for survive musicians. It keep around played their arrangements on the road & for the Video freed inside 1997 by Point Music.
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